The filmmaker turns a supernatural thriller into a first-person storytelling experiment and a family drama that'd make Eugene O'Neill cringe.

Although it premiered at Sundance almost a year ago, Steven Soderbergh’s Presence is finally making its way to theaters, and audiences may well find

"I always operate the camera, but this was next level," the director says. "I’m really in there with the actors."

What makes “Presence” interesting is its point-of-view “gimmick.” It’s just the story that’s being told that’s somewhat hacky.