"I always operate the camera, but this was next level," the director says. "I’m really in there with the actors." ...

Soderbergh talks to IndieWire about "Jaws," his 15-year project to write a book about directing, and working to get his ...

Steven Soderbergh often applies his brainy, process-based approach to new genres; with Presence, he tries his hand at ...

“Presence” is a beautifully executed vision of a rather mediocre script. What makes it interesting is the POV “gimmick,” ...

There’s only so much that a person can hold before everything collapses.” With Presence now in theaters, Vogue spoke to Liu ...

Doing his own camerawork, the director gleefully enriches the haunted-house genre with a simple but ingenious device.

The prolific filmmaker turns a supernatural thriller into an experiment in first-person perspective and a dysfunctional family drama that'd make Eugene O'Neill cringe ...

The story of the parents and children, as depicted by director Steven Soderbergh, is so interesting, it would work well even ...

Hollywood’s most successful rogue spoke to the Globe about his new haunted-house thriller and the state of the industry he ...

What makes “Presence” interesting is its point-of-view “gimmick.” It’s just the story that’s being told that’s somewhat hacky.

Presence holds its audience close with a nifty conceit in which Soderbergh is the eyes and ears of those watching and of his ...

Steven Soderbergh’s directorial credits include Erin Brockovich, Traffic, Ocean’s Eleven, and Magic Mike. His latest, ...