Perpetual futures’ were invented by the crypto billionaire in 2015 but are seen as a ‘super dangerous’ financial product by ...
On a walk through London’s South Bank, the artistic director shares why theatre is a gamble, how Shakespeare points the way ...
This inventive work of meta-fiction imagines Daphne du Maurier’s famous novel from the perspective of the maligned Mrs ...
Not plain sailing. Sources told The Observer they expect rules to align with tax residency requirements of living in the UK ...
I’m a happy vegetarian these days, feeding just like a bumblebee on nectar and pollen. That’s good for a grown-up but it’s ...
McMenamy is equal parts shy and enthusiastically animated, dressed like a storybook ballerina in a baby-pink slip dress and ...
Tying the knot in your 40s after being with your partner for over 20 years raises some interesting questions, but also adds a ...
When OpenAI released its latest model, GPT-6 Astra, earlier this month, the company’s president declared: “Welcome to the AGI era.” Artificial general intelligence – the industry’s vague milestone of ...
As he becomes this newspaper’s chairman, the former diplomat Mark Malloch-Brown explains how its coverage of apartheid inspired his career in development – and why he’s committed to helping the paper ...
The artist and weaver Amy Revier shares her favourite spots in the Italian city, from hidden osterias to contemporary art spaces ...
James Tapper has worked for The Observer since 2015 and was highly commended at the British Journalism Awards in 2021 for his reporting on the Covid pandemic. He has been a journalist and troublemaker ...
Ezra Collective cement their reputation as the biggest jazz band Britain has produced with a fourth LP full of diasporic party sounds ...
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