But nobody made the song jump like Jones did — one reason Ol’ Blue Eyes kept working ... Her slow-burning rendition of ...

“Stephen Jones: Chapeaux d’Artiste,” which opens ... enlivened with a disco ball (apparently a first for the museum) and with music compiled from his New Romantic heyday, Jones’s hats ...

Stephen Jones may have made well in excess of a hundred thousand hats ... “I thought it was very Amanda Lear on the cover of Roxy Music’s For Your Pleasure,” recalls Jones. “She thought it was very ...

As it continued to be a staple of his live performances over the decades, Stephen Holden of the ... that show's 1977-86 run ...

Jones was famous for searching through hundreds of demos before settling on the right song for an artist ... and it sounds ...

Stephen A. Smith took his victory lap on First Take on Monday morning following the team’s collapse against the Green Bay Packers in the Wild Card round. Included in the victory lap was a song ...

With his smooth voice, he drew crowds to cabarets and music halls for six ... of which Mr. Jones and Tony Bennett remain the great survivors,” Stephen Holden wrote in The New York Times.

Quincy Jones, the internationally known music producer who got his start at ... he told late-night talk show host Stephen Colbert in 2016, where he found a piano. “Every cell in my body and ...

But nobody made the song jump like Jones did — one reason Ol’ Blue ... Her slow-burning rendition of Leonard Bernstein and Stephen Sondheim’s “West Side Story” ballad — “my all ...

As it continued to be a staple of his live performances over the decades, Stephen Holden of the ... that show’s 1977-86 run on ABC. Jones spoofed the song’s old-fashioned appeal — and ...

But nobody made the song jump like Jones did — one reason Ol’ Blue ... Her slow-burning rendition of Leonard Bernstein and Stephen Sondheim’s “West Side Story” ballad — “my all ...