A lo-fi sci-fi road trip film that reaffirms the magic of discordant personalities finding harmony, director Brian Tetsuro Ivie’s Anima is at once earthy and spiritual. It focuses on Beck (Sydney ...

Cannes, while a real privilege to attend, is also a gauntlet—a marathon of viewing and socializing—and I’ve reached the point where my eyes have begun to droop and my head has started to throb. But ...

The Gotham, Filmmaker’s publisher, announces today the cohort of the 2026 edition of The Gotham EDU Film and Media Career Development Program. The eight-week virtual program will allow college ...

The last time I visited Tennessee, I was 15, traveling around Memphis with my parents, and spent most of the time listening to In Rainbows on cheap headphones; we ate barbecue, visited my grand-uncle ...

When Padraic McKinley first received The Weight screenplay from producers Nathan and Simon Fields, he loved the atmospheric world it summoned forth. Original screenwriter Matthew Booi, along with Leo ...

“It was important to us not to be a shit post,” says Ricky Camilleri, co-writer and co-producer of Our Hero, Balthazar, thanking me for not describing it as “edge-lordy.” On paper, the film, directed ...

Ari Aster previously used the horror genre as a lens to examine dysfunctional family dynamics in Hereditary and break-up messiness in Midsommar. He then pivoted to the manic surrealism of Beau is ...

A bullet grazes the shin of matriarch Sohni Ammi (Farazeh Syed) at her beloved son’s wedding. It was a celebratory bullet; shooting guns into the air replaces fireworks in this part of provincial ...

Hal Hartley’s Where to Land, his first feature in 11 years, presents a familiar, potent lattice of miscommunication within a small community. Joe Fulton (Bill Sage), a filmmaker referred to as “the ...

30 years after his debut feature Kicking and Screaming (1995), writer-director Noah Baumbach, having crafted a notable career both in Hollywood and outside of it, has made his softest film yet, and ...

Despite their dissimilar filmographies, I have great affection for both the arthouse friendly A24 and the drive-in exploitation of American International Pictures. That’s why I’m such a sucker for the ...

Bedford Park, Chasing Summer, Closure, Everybody to Kenmure Street, Extra Geography, Ha-Chan, I Want Your Sex, If I Go Will They Miss Me, Josephine, Knife: The Attempted Murder of Salman Rushdie, Lady ...