House is a continuation of disco. You can hear that easily in its arrangement and in its sound, which samples and pulls liberally from the popular club music of the ’70s and early ’80s. And, in fact, ...
On her debut album Ten Billion Angels, the Fractal Fantasy cohead channels the artful and obsessive proclivities of the CGI erotica community. In Zora Jones’ digital portraits of herself, she always ...
As the yearly festival circuit grows bigger and bigger, A-list DJs like Nina Kraviz, Ellen Allien and Gerd Janson have started to reach for ’90s anthems, which have been, for better or worse, frowned ...
In this special preview of our new Summer 2013 print magazine, we present the cover story—an extensive interview with the divisive pop phenomenon—in full. Photo by Robert Carrithers. Lana Del Rey: I ...
Few artists use music like Xosar (a.k.a. Sheela Rahman). The Berlin-based techno producer draws on her near-encyclopedic knowledge of the occult to create works that feel like they’re somehow enacting ...
In the next part of our series assessing the impact of Depeche Mode through personal narratives, British electronic music producer Tim Simenon, best known for his work as Bomb the Bass, remembers ...
Manele is a musical genre that has engulfed the entire Balkans over the past 30 years. Its linguistic origin dates back to the Ottoman Empire, and the word manea is Turkish for “song.” At its core, it ...
This week, in an article titled About Vatican Shadow Link With the Far-right, culture journalist Jean-Hugues Kabuiku has highlighted relationships between experimental producer Dominick Fernow—also ...
In the last cover story for Electronic Beats Magazine, Karen O spoke to Lisa Blanning about crushes, songs, and more. Karen Lee Orzolek AKA Karen O first caught the public eye as the charismatic and ...
In the early ’80s, venues in West Berlin were getting infected with strange sounds that I’d never heard before. Musicians generated all kinds of noise from scrap yard junk and untuned guitars—a lot of ...
Compiling a guide to all of dancehall and picking only a few songs is a hard a task for mortal men, so I decided instead to focus on dancehall rhythms. A rhythm—or “riddim”—is an instrumental track ...
The thing about “clicks and cuts” is that it never really existed as a genre; it was a marketing term that described works by artists who became bored with digital perfection. These musicians used ...
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