Each year Rhizome partners with NEW INC on its Art & Code track, a year-long program designed to help artists realize or ...
In recognition of our shared commitment to computer art history, Mastera (M) will be a co-hosting partner for Rhizome’s 30th ...
We're doing this to commit long-term to web archiving as a cultural practice, and to differentiate this online service from the core software components. Conifer will continue as a Rhizome service, ...
In this third segment of our genealogy we begin to form a connection, and to examine those lesser-known but foundational figures that radiate out from Turing's early work. Perhaps appropriately, given ...
Cover image: Screenshot of BookStory’s opening title screen, featuring the interior of the Kurome Shobo bookstore. Usually, a Google Sheet is the site of bureaucratic misery and numbing digits; the ...
Buy fresh, train local! Presenting Small Batch: A Dataset Farmers Market. Browse farmers market of artists‑curated datasets including manga screenshot troves, heartbreak maps, MoMA‑tote street‑view ...
As Slavoj Žižek and others have argued, the credit sequences designed by Saul Bass for Alfred Hitchcock's unofficial trilogy of late masterpieces—Vertigo (1958), North by Northwest (1959) and Psycho ...
Nathalie Lawhead, (☞゚ヮ゚)☞ unleashed desktop pets, 2015. Screenshot of a bunch of Nathalie’s software running at once. Courtesy of Nathalie Lawhead. The latest in a series of interviews with artists ...
This week on the Artwrld podcast, we're joined by Chia Amisola, an artist who works with websites, performance, and games that touch on intimacy, labor, and faith. For this episode, Amisola will ...
Installation view, “Camera Rider” at Team Gallery, New York, 2019. Courtesy of Team Gallery. The latest in a series of interviews with artists who have a significant body of work that makes use of or ...
Pete Jiadong Qiang, Queer Maximalism HyperBody (2020). Game level Pinkray, Pinkray plush dolls, VR gameplay screenshot. Courtesy of the artist and CheeseTalk. The latest in a series of interviews with ...
Kristoffer Skorstengaard Tjalve: Daniel, we first started talking when I invited you to speak at Naive Yearly. During one of our calls, you said that the internet is really good at being big and small ...