Can't take another moment of Vivaldi's ubiquitous Four Seasons? Neither could Max Richter, a London-based composer who deftly blurs the lines between the classical and electronic worlds. Long ago he ...
Composer Max Richter's new album takes on Vivaldi's Four Seasons. Richter says that as a child, he loved The Four Seasons. But as he grew older, that passion faded. "As a child, I fell in love with it ...
Recomposed by Max Richter: Vivaldi, The Four Seasons: Spring 1 Recomposed by Max Richter: Vivaldi, The Four Seasons: Spring 2 Recomposed by Max Richter: Vivaldi, The Four Seasons: Spring 3 Recomposed ...
Unlock access to every one of the hundreds of articles published daily on BroadwayWorld by logging in with one click. A decade on from the release of his mesmerizing Recomposed album, trailblazing ...
I love Vivaldi’s music. His lesser-known sacred works had a big influence on Bach, too. What I hate, however, is calling somebody up and getting the v/m greeting, “Please enjoy the music while your ...
None of the many revisitings of The Four Seasons has been as extreme as Max Richter's. English composer Max Richter guiding Auckland Philharmonia Orchestra through two hours of his music was a less ...
Here’s some Vivaldi-Richter violin magic, played by the youngest finalist of French TV talent show ‘Prodiges’, to blow you away. The competition looks for the most promising young talents in three ...
The composer has done a brave thing for any artist in any medium: He's messed with a classic, specifically, Vivaldi's most famous four violin... Max Richter Recomposes 'The Four Seasons' Max Richter ...
Recomposed by Max Richter: Vivaldi, The Four Seasons: Spring 0 Recomposed by Max Richter: Vivaldi, The Four Seasons: Spring 1 Recomposed by Max Richter: Vivaldi, The Four Seasons: Spring 2 Recomposed ...
Max Richter grew tired of Vivaldi's warhorse The Four Seasons. But instead of writing off the piece forever, Richter rewrote it. He blended... Can't take another moment of Vivaldi's ubiquitous Four ...
Of course, the challenges posed by such a project are obvious. There's a fine line when tackling the tricky work of tinkering with pieces that are the stuff of history and have thrived intact through ...
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